About the Ceramics

- And why I chose clay.

Clay
Clay is really just soil


About the process

I model and alter the clay, and I only make one piece of each. Most times I add pigment already when altering. After the first firing, I add additional color and the object is glazed to be fired a second time. I find that my colors, surfaces and structures work best together at approx. 1200 - 1225 degrees Celsius in a second firing. Many of my works get a third (and fourth) firing; a decorative firing at a lower temperature.


Sødring

Clay is Nature


Handling clay is like having your hands in the soil and in the mud.

It resonates within me, and time seems not to exist when I'm working.



Injuries
My life changed in  2015 
I fell down headfirst


I hurt myself and everyday life changed in a split second. At the same time I was lucky enough - and life is still good.

Back in the days, I was inspired by my very skilled teachers, who provided a good environment to play with and get to know the clay, while they trained me to be an art teacher. I loved it. 

Clay and creativity were largely displaced in favor of other things in life. Until 2015, when I slowly picked up again. And I am grateful that I did that.


Signature The VT-stamp

When clay is showing off

Clay has a will of its own - and sometimes it just shows its willpower. 
Clay is a piece of nature, and at the same time it is a partner in the altering process: It can contribute to some things, but not to everything.
 
Here is an example of self-degrading ceramics. (Okay... maybe I mixed in a bit of something that helped it on its way...) 
Anyway - Enjoy the clay's own life and doom here below:


  • Clay in breakdown /1
  • Clay in breakdown /2
  • Clay in breakdown /3
  • Clay in breakdown /4
  • Clay in breakdown /5
  • Clay in breakdown /6
  • Clay in breakdown /7
  • Clay in breakdown /8
  • Clay in breakdown /9
  • Clay in breakdown /10
  • Clay in breakdown /11
  • Clay in breakdown /12